Wim Van Hasselt
Wim Van Hasselt is a Belgian musician, currently based in Switzerland, performing regularly in Europe, North and South America, and Asia. He has been invited as a soloist with the Amsterdam Sinfonietta, the Sophia Philharmonic and the Budapest Festival Orchestra among others, appearing in the Concertgebouw Amsterdam, the Beethovenhalle Bonn, the Konzerthaus Berlin and the Tokyo Opera City Concert Hall.
For many years he was a member of the trumpet section of the Royal Concertgebouw Orchestra Amsterdam. Prior to this he held the same position with the Radio Symphony Orchestra Berlin, and was invited by the Berlin Philharmonic and the Lucerne Festival Orchestra. Playing under such renowned conducters as Mariss Jansons, Bernhard Haitink, Valery Gergiev, Gustavo Dudamel, Ivan Fischer, Daniele Gatti, Lorin Maazel, Andris Nelsons, Nikolaus Harnoncourt, Christian Thielemann and Claudio Abbado proved to be crucial to his musical development.
Besides his solo performances, he places a central focus on chamber music − most recently as a founding member of the international brass quintet Brass United, and in duo with percussionist Koen Plaetinck.
Wim Van Hasselt has released several albums for Channel Classics Records, which have received numerous awards, including the Prix de Salon from the Royal Concertgebouw Orchestra Amsterdam, and the Golden Label Award, as well as an Editor’s Choice from the renowned Grammophone magazine, which described him as „...an exceptionally fine player with all the equipment in his armoury to delight, surprise and challenge the listener at every turn“. His recordings are characterized by versatility and inquisitiveness, and notable for connecting tradition and modernity, including commissions of new compositions by Wim Henderickx, Florian Magnus Maier, Daniel Wohl, Torus Biglane, Nicole Lizée and Markus Stockhausen, among others.
As Professor for trumpet at the University of Music Freiburg and coach at the European Union Youth Orchestra, he enthusiastically transmits his passion for music to the next generation.
Wim Van Hasselt is a Yamaha Artist.
Hailed in classical circles as “among the very best trumpet soloists in the world today,” (International Trumpet Guild) and “One of the finest virtuosos of our time” (The Brass Herald) and in jazz as “a standout soloist with the power, range and flexibility to rival Freddie Hubbard and Woody Shaw,” (DownBeatMagazine) Yamaha Performing Artist Rex Richardson was named the 2008 Brass Herald Personality of the Year.
A veteran of the acclaimed chamber ensemble Rhythm & Brass, jazz legend Joe Henderson’s Quintet and Sextet, William Russo’s Chicago Jazz Ensemble, and the Brass Band of Battle Creek, known as the world’s “Rolls Royce of Brass Bands” (Brass Band World), he stays busy as a headline artist at international brass and jazz festivals. He’s appeared as guest soloist with a multitude of ensembles on six continents ranging from the Phoenix Symphony to the U.S. Army Field Band, and from the UK’s Foden’s Brass Band to the U.S. Air Force’s Airmen of Note Jazz Ensemble.
Style Weekly called Richardson “One of the world’s most engaging and astonishingly versatile trumpeters.” A tireless champion of new music and an advocate of improvisation in classical as well as jazz settings, he has presented the premiere performances of genre-bending concertos by Peter Meechan, Anthony Plog, Doug Richards, David Sampson, Andy Scott, James Stephenson, Allen Vizzutti, and Dana Wilson in over twenty-five countries on five continents since 2006.
Richardson’s nine solo recordings are all released on Summit Records. His most recent, Freedom of Movement: 21st Century Trumpet Concertos, featuring the new works by Plog, Scott, Stephenson and Vizzutti, was released in May to rave reviews and wasa top-ten finalist for 4barsRest’s 2018 Solo Album of the Year.
Richardson has degrees in anthropology and music from Northwestern and Louisiana State and hastaught at Virginia Commonwealth University since 2002. He served as International Tutor in Trumpet at the Royal Northern College of Music in Manchester, U.K. from 2012-2015. In 2018 he was appointed International Tutor in Trumpet at JAM Music Lab University in Vienna, Austria.
Rex Richardson is YAMAHA Artist
Berlin Philharmonic hornist FERGUS McWILLIAM was born on the shores of Loch Ness in the Scottish Highlands. After hearing his first orchestra concert at the Edinburgh Festival as a very young boy, he decided on the spot that he wanted to become a hornist. After his family subsequently emigrated to Canada, he sold newspapers in order to acquire his first instrument and lessons. He graduated from the University of Toronto as a student of Eugene Rittich after initial studies with John Simonelli, Frederick Rizner and Barbara Bloomer. He made his first solo appearance at the age of 15 with the Toronto Symphony in 1967 under Seiji Ozawa. McWilliam freelanced in London, England in 1971 and toured Canada extensively between 1972 and 1975 with the Classical Brass quintet. He also played with the National Ballet of Canada Orchestra and the New Chamber Orchestra of Canada.
In 1975 he was appointed to Orchestra London where he played under Karl Richter and continued to appear with several other Canadian orchestras and chamber music ensembles. He taught horn and chamber music at a number of music schools, notably, the University of Western Ontario, while pursuing further studies in Amsterdam with Adriaan van Woudenberg of the Concertgebouw Orchestra and with Wilhelm Lanzky-Otto in Stockholm.
In 1979 McWilliam became a member of the Detroit Symphony Orchestra under Antal Dorati. He joined the music faculty of the University of Windsor and was a founding member of the Renaissance Wind and Premier Brass quintets.
In 1982 he left for Germany and an appointment to Munich’s Bavarian Radio Symphony Orchestra led by Raphael Kubelik and Sir Colin Davis, and continued to expand his solo and chamber music activities with the Munich Wind Soloists, the Bach-Kollegium Munich,and Consortium Classicum. He also performed with the Munich Philharmonic, the Bavarian State Opera and the Stuttgart Chamber Orchestra.
Ultimately, McWilliam was appointed in 1985 to the Berlin Philharmonic under Herbert von Karajan. In addition to the orchestra’s two most recent Musical Directors, Claudio Abbado and Sir Simon Rattle, he has also performed with Leonard Bernstein, Carlos Kleiber, Günter Wand, Carlo Maria Giulini, Bernard Haitink, Eugen Jochum, Klaus Tennstedt, Sergiu Celibidache, Seiji Ozawa, Riccardo Muti, Pierre Boulez, Nikolaus Harnoncourt, James Levine and Daniel Barenboim. Other historical figures with whom he performed, collaborated, or by whom he was personally influenced, were for example Aaron Copland, György Ligeti, Leopold Stokowski, Mstislav Rostropovich and Glenn Gould.
In 1988 he became a founding member of the Berlin Philharmonic Wind Quintet. After thirty years touring the world and having made over a dozen CD recordings, this ensemble enjoys nearly reference status.
McWilliam also founded The Horns of the Berlin Philharmonic and has helped re-establish The Winds of the Berlin Philharmonic. His solo and chamber music activities continue to take him throughout Europe, the Americas and the Far East.
McWilliam also teaches students from around the world and he has given master classes at numerous leading music schools in many different countries. Not only has he taught at both the Berlin Philharmonic Orchestra Academy and the Hanns-Eisler-Musikhochschule in Berlin; he has also been a visiting lecturer at, for example, the Royal Academy, Royal College, Royal Northern and Guildhall School in England, the Paris Conservatoire, the Tokyo University of Fine Arts and the Royal Conservatoire of Scotland in Glasgow. For nearly a decade he taught within Venezuela’s famous youth music programme El Sistema, and has since become a board member of Sistema Scotland. A significant number of his students have gone on to join major world orchestras, including Sarah Willis, who is now his own Berlin Philharmonic horn colleague.
He is the author of "Blow Your OWN Horn".
Collector of music works, records, awards, compliments, reputation, sunglasses, hashtags and selfies. Source of creativity and virtuosity. Eclectic, original and visionary. Curious by definition. Adventurous by choice. Owner of a pure heart and of Sparky, the Basset Hound. Transpires musicality and works to achieve excellence. Passionate about life, loves cinema, mythology, reading, fishing and spending time with his friends. Anyone who crosses with him will never forget him and leave, of that encounter, humanly and professionally richer.
He has always shown great curiosity and ability to explore different musical paths and languages.
Currently his international reputation has been established by his interpretation of the standard and contemporary repertoire for tuba and his stylistic approach to jazz, funk and improvised music.
Sérgio Carolino, is one of the most acclaimed tubists, with constant activity as a soloist and teacher in the most prestigious festivals, conservatories and universities of the five continents. Received for four times the Roger Bobo Award Prize for Excellence in Recording (2008, 2010, 2012 e 2014), the Award for Emerging Jazz Artist (2004), the Carlos Paredes Prize (2004) and won the SPA Award 2013 - Classical Music Category (Portuguese Author’s Society) for the works published in 2012 and for promoting Portuguese music throughout the World.
TGB, TUBAX Duo, TUBAB Duo, R’B&MrSC, The Postcard Brass Band, XL Duo, Surrealistic Discussion, Duo AR., SubWoof3r, Tuba&Drums Double Duo, Duo Adamastor, Funky Bones Factory!, Yamaha Tuba Duo, Moderato Tangabile, T’N T, Mr.SC & The Wild Bones Gang, European Tuba Trio, Massive Brass Attack!, Intergalactic Vibes!, Crossfade Ensemble, run in his veins.
Sérgio Carolino is, since 2002, principal solo tuba in the Porto Symphony Orchestra Casa da Música, Yamaha International Artist, exclusive artist of the Artistic Platform Palco Improvisado.
Plays with his own signature design and concept mouthpieces by Brass Lab MoMo made by master Hirotaka Nakai (Osaka/ Japan), with the muted "Mushroom Cup Mute", manufactured by Johann Schlipfinger. Sérgio is also a professor at the School of Music and Arts of the Spectacle (ESMAE) of the Polytechnic Institute of Porto and Artistic Director of the world famous GRAVÍSSIMO! – Alcobaça International Low Brass Festival & Academy.
Jimmy Olsson joined the Stockholm Municipal School of Fine Arts as a low brass, band and orchestra instructor in the department of orchestral studies- El Sistema Stockholm in 2015. Prior to this appointment, Jimmy held positions as second trombone with the Orlando Philharmonic, acting principal trombone in Norrköping Symphony Orchestra, acting assistant principal/second trombone with the Helsingborg Symphony Orchestra among others. He was also an active freelance musician and performed as a guest with acclaimed orchestras such as the Chicago Symphony Orchestra, Boston Symphony Orchestra, The Swedish Radio Symphony and the Gothenburg Opera Orchestra.
Jimmy has found great interest in the art of teaching and has held positions with The Bethune-Cookman University in Florida as an adjunct professor of trombone and ensemble, brass methods instructor at the University of Gothenburg Academy of Music and Drama as well as at the Royal College of music in Stockholm. He was also a trombone and brass instructor at Nacka Municipal school of the Fine Arts and Lilla Akademien in Stockholm..
Following studies in Sweden at Ingesund University School of Music with Eric Lindblom, Jimmy gained a Professional Diploma in Orchestral Studies from Roosevelt University in the United States where he studied with Jay Friedman.
In his free time Jimmy enjoys family life in the beautiful city of Stockholm with his wife and two children. He is also a competitive powerlifter.